There are a variety of genres of books to choose from nowadays: mystery, fantasy/sci-fi, non-fiction, romance, etc. One genre that is severely lacking in content, however, is Comedy. There are very few authors around today that can truly provide a gut-busting laugh-out-loud-while-reading experience, and still pull off something of a coherent plot, interesting but lovable characters, and everything else that makes a good book.
One of the foremost of these proud few is a man by the name of Christopher Moore. Moore writes such books as (and just reading the titles should make you laugh) Fluke: Or, I Know Why The Winged Whale Sings, Lamb: The Gospel According to Biff, Christ’s Childhood Pal, The Lust Lizard of Melancholy Cove, and Island of the Sequined Love Nun. He spins hilarious tales of whimsy, drugs and sex (however, they are severely lacking in the rock and roll department), and neurotic but lovable protagonists thrown in way over their heads.
I’ve had the pleasure to read 2.5 books written by Mr. Moore (being in the middle of Lust Lizard), and I can say without a doubt that his writing is the funniest written since the days when Shakespeare’s comedies were funny (remember, back in the 1500’s?).
To show an example, his book titled A Dirty Job (in which a “Beta Male” secondhand store owner becomes Death and finds his life as a newly-widowed single father turned upside down) contains countless situations that are entirely hilarious and well-written. Here is an excerpt:
“Death to the infidel! Death to the infidel!” said the bearded man in response to Charlie’s irresistible charm. He danced around shaking his fist at the Death Merchant’s face, which scared [baby] Sophie so that she covered her eyes and started to cry.
“Stop that, you’re scaring my daughter.”
“Death to the infidel! Death to the infidel!”
[The hellhounds] Mohammed and Alvin quickly got bored watching the dance and sat down to wait for someone to tell them to eat the guy in the nightshirt.
“I mean it,” Charlie said. “You need to stop.” He looked around, feeling embarrassed, but there was no one else on the street.
“Death to the infidel. Death to the infidel,” chanted the beard.
“Have you seen the size of these dogs, Mohammed?”
“Death to-hey, how did you know my name was Mohammed? Doesn’t matter. Never mind. Death to the infidel. Death to the-”
“Wow, you certainly are brave,” Charlie said, “but she’s just a little girl and you’re scaring her and you really need to stop that now.”
“Death to the infidel! Death to the infidel!”
“Kitty!” Sophie said, uncovering her eyes and pointing at the man[, who dropped dead on the spot].
“Oh, honey,” Charlie said. “I thought we weren’t going to do that.”
A book with writing like this simply cannot be bad. And believe me when I tell you, his characters get into way worse situations. He has Christ learning the art of “jew-do,” a pothead cop having an encounter with a crazy woman and her pet dragon, and a seven-foot-tall black man in a pastel green silk suit named Minty Fresh. Honestly, people, if these don’t sell these books to you, I don’t know what will.
What I like most about Moore’s writing style is the way he uses dialogue. Many times a character will try to tell a stressful tale to get it off their chests, and the listening character will be fixated on the words “butt sex” said in the middle of the story. His humor is deadpan, his sense of reality is warped, and all these things combined simply cannot be bad. There’s a rule somewhere.
I leave you with one last image: A consciously-psychopathic ex-actress who practices with a broadsword every morning at 6AM because she believes in an alternate dimension she is in fact Kendra the Warrior Babe, and that she should be prepared when civilization falls and she takes her rightful place. I kid you not, this is part of one of Christopher Moore’s books. In or out of context, it’s simply too hilarious to ignore.
In conclusion: Buy these books. All of them. Right now.
For more information: http://chrismoore.com/
